You know when your mental health takes a dive, you revert to less-than-healthy coping mechanisms and then you find yourself crying on a bathroom floor for three days straight and you realise you need to get your meds fixed up and stop doing what you’re doing? And then you leave the state for a while to go hang out at sea and write poetry? And then you’re back but you’re focusing on burying yourself in work and pouring energy into relationships that make you feel happy and supported? No? Not much else I can say then. Mental health is a constant stream of ups and downs and the downs have been pretty prominent recently. Rough.
Let’s not focus on that, and instead focus on some products I have thoughts about!
L’oreal Pure Clay Detox + Brighten Mask – This mask is…wicked intense. I finished my old detoxifying mask, for the rare occasion when I need something deep cleansing, so I picked this up in the Priceline 40% off skincare sale. It’s also good for if I want to use a combination of masks – this on the chin, with something softer everywhere else. It’s way too intense for me for weekly use. It dries incredibly quickly and goes very stiff, and if I leave it on for a full ten minutes I start to feel a burn. But: like the classic, intensely overhyped glamglow, it does the very satisfying action of showing up darker on the pores, and it leaves your skin looking fresh and cleansed and definitely smooth. I do feel like I have to use a lot of product to get a very thin layer, because it dries so quickly, so I imagine this will be finished quickly.
Anastasia Beverly Hills Modern Renaissance Eyeshadow Palette – I held off on buying this palette for so long. I was so good. But just look at it.
It is absolutely stunning. If you don’t do a lot of warm toned looks, then it is definitely not worth it, but those are my bread and butter. The shadows are incredibly soft, and do kick up quite a bit of powder – I can see how people are panning shades – but they blend beautifully and don’t feel powdery or chalky on my eyelids, even without a primer. The brush is great quality, and I can do a pretty solid quick look using just that brush if I’m on the go, which is a great post-work quality to have for me (likewise, the mirror is top notch). The only shadow I have not really played with is Golden Ochre, because that yellow tone of neutral tends to look a bit sickly on me if not paired with very specific shades, but I don’t mind that as a trade off. My favourites are definitely the red shades, which are so hard to do well – Love Letter, Venetian Red and Red Ochre – Venetian red has some pink tones and some shimmer while Love Letter is truer red, as to Red Ochre which is browned and deep and good for adding depth. I also love the oranges, Burnt Orange and Realgar, and the neutrals-with-a-twist like Buon Fresco. Vermeer is one of the most gorgeous inner corner highlight shades I’ve ever used. Everything is capable of being really powerful, or playing subtle and toned down.
Will it be as much of a workhorse as my Kat Von D Shade and Light Eye palette? Probably not. That palette renders the most out there of shades usable for me. Where this does win out is by being one of the most forgiving palettes I’ve ever worked with, and by being one that I can open up and get excited by. If only the packaging wasn’t damn suede textured. This is going to get so grotty, I can already tell.
I’m wearing some shadows from this palette today along with the mascara and concealer in this Bite Sized Five, so I’ll put a photo at the bottom with a note on which shades I used.
Benefit They’re Real Mascara – This mascara has lost some of its steam in the beauty community over the past couple of years, but it was once the mascara to end all mascaras if you asked around. I mentioned this in my USA Haul, and I have already finished the tube of Roller Lash which will be in my empties (January and February have see many long standing minis of mascara meet their ends – a little spoiler is that I actually really enjoyed Benefit’s Roller Lash and while it didn’t blow me away, it was one of the nicer mascaras I’ve used for definition and curl). Common complaints with this mascara are that the brush is HUGE and SPIKY and VERY DANGEROUS, which I can absolutely confirm; can make lashes look spidery and prone to clumping, also very true; is atrocious to take off. Case in point:
Still, as you’ll see where I’ve used it below, when it’s used sparingly and with great caution to avoid eye-stabbing, it’s quite lovely. It’s way too much work for everyday, but I understand why it garnered so much affection. I have since tried it with the designated They’re Real Remover, but I think I’ll stick to oil.
Tarte Shape Tape Concealer in Light – Now admittedly, I picked this shade based on…almost entirely guesswork, and it is well and truly too light for me to use on blemishes while I’m at my darkest. I definitely recommend looking up swatches for this. Swatches are even more important if you do what I did and impulse buy this off the tarte website when they have a free international shipping promotion. It is still perfect for under my eyes, and workable for blemishes blended under a concealer. And let me say – this concealer is getting some ridiculous levels of hype. People are putting it at holy grail status. I’m not so quick to make final judgements, but I will say that it is extremely concentrated and creamy with coverage out of its ears. Really, other than the colour range, my main faults with this are the applicator and the scent. The applicator is overly huge and I always just end up dabbing it on with my fingers, and the scent is intense. It’s fake and floral and it lingers for a good few seconds after application. But this, unlike the mascara, is something I’m willing to work with daily. It’s easy to blend and although creasing isn’t a major problem for me, I don’t have any problems with it. I’m almost tempted to get it in another colour next time tarte have free shipping.
Sunday Riley Luna Night Oil – Another much raved about item, I got this half-sized bottle in a set with the Good Genes treatment. I loved Good Genes, and it will be in my Jan/Feb empties. Luna? Not so much my thing. Admittedly, it’s not targeted at people with my skin type. I am very much combination, and while I get dry in the winter, in summer I can be a sweaty, oily mess. I’m prone to breakouts regardless of oiliness to dryness, and I’m not really that worried about aging yet (at the ripe old age of 21). I do really enjoy oils, though, and this is well reviewed, so I’m glad I got to give this a go. That said, it hasn’t wowed me too much. I’ll keep using it, and I’ll probably prefer it in winter when I go back to dry, itchy Sara skin. It doesn’t break me out, but it is pretty heavily scented and full of extracts that I’m not fussed on. If I had to choose, though, I would have just invested in Good Genes and skipped this guy. In Australia, I can’t bring myself to drop the money on either of them.That’s the honest opinion. In the US, it felt manageable – waiting for a Sephora sale, using a voucher, being a smart shopper. Here, Good Genes is about $150. I don’t think it’s $150 worth of results.
As for the makeup I did with some subtle Modern Renaissance, a frustrating coating of They’re Real and Tarte Shape Tape:
I’m also wearing Sugarpill’s Trinket on my lips – I’m planning on writing about it at length in my next Recent Lipstick Wrap Up – over Urban Decay Deep lipliner, which gives the liquid lipstick a much more nude look. I love how the gold comes out over the course of wear. I’ve also got the It Cosmetics Brow pencil on, and the Physician’s Formula Butter Bronzer for some warmth. I only used neutral shades from the ABH palette to stay basic for my day off, laid down some Warm Taupe with Cyprus Umber for depth and then Primavera for lightness on the bulk of the lid. I need a better camera. My skin is great at the moment (hallelujah), so I didn’t have a lot to conceal, but the few things that were bothering me are pretty well covered.
And that’s that!