Big things, little packages: A quick review of the Huda Beauty Obsessions palettes

If I were to try to describe most of the beloved palettes in my collection, it would be hard to find a unifying trait. The closest you would get would be to tackle size, because apparently I tend to like my palettes big. From sensibly generous Anastasia palettes to downright unwieldy Kat Von D holiday palettes, I just tend to yearn for more than a more restrained quad or travel palette can give me. I want to be able to let my laziness fly free, pull colours from the same place, and to be inspired by a colour scheme that I am given. I want something that oftentimes a little baby palette can’t offer me.

Nothing had ever really given me reason to dip my toes into the well of Huda Beauty. I had no sentimental connection to Huda Kattan herself, having never really come across her content on any social media platform, and had never been one for false eyelashes. I’d managed to refrain from having my interest piqued by her liquid lipsticks, and the highlighter kits all seemed fairly run of the mill. I’ll admit to being intrigued by the new foundation, although hand swatch showed up the kind of scent that makes me shiver at the memory. When I heard that palettes were launching, I was thoroughly unmoved – that is, until the photos came.

If you’ve ever read this blog before, you’ll know which of these colour schemes sung out to me instantaneously. It sung so loudly that we’re talking track-down-a-palette-on-launch-day. My thirst for true to pan yellow and hot pink eyeshadows is deeper than any known trench, and it was love at first sight with the Electric Obsessions palette.

I picked up the Electric Obsessions palette within the first week of its launch at Sephora Australia, right as my hair was transitioning to purple, unshaken by its $48 price tag. I did apply a 10% coupon with some of my many, many stockpiled points, but I mostly ignored the little voice in my head that was saying “$48? For a palette the size of your palm?” (That may not sound small, but it helps to know that my hands are famously small, and that I would say they are the size of the hands of an average ten year old) I was treating myself to get through retail Christmas, and if it was a good palette, it would be worth it.

It would have sucked if this had been a bad palette. Instead, there are nine vivid brights squeezed into the size of a typical quad with no wasted space, and each pan holds a decent amount of product. Some shades are shimmers, others are matte, and all of them pair logically with at least one other partner shade in the palette. It is not a conventional standalone palette, but just this and a matte mid-tone brown single is a cohesive look; if I’m feeling up to it, I don’t even bother with other shades to mute the palette. All of the colours apply smoothly and with great reflection of what they look like in the pan, even that striking yellow. There’s even a good sized mirror and a magnetic closure.

As you can see, I now own two of these little palettes. I picked up the Smokey Obsessions palette several weeks later. I was torn between it and the Warm palette, which felt very versatile within itself, but I felt like travelling with just Electric and Smokey would allow me to do most of the eyeshadow combinations I ever dream of. Basically, I’ve come to view these palettes as the perfect travel palettes. They aren’t as soft as something like an Anastasia palette, so I don’t have to worry as much about their transport, but they allow for a great amount of versatility within a very small amount of space. Between these two palettes, I have the very me brights and the purples to complement my hair along with the neutrals for everyday and metallics to transition to evening. If I don’t have to travel with the bulk of my Kat Von D Shade and Light palette, I sure as hell won’t. The quality is consistent, and I wouldn’t be surprised to see another eventually end up in my collection (perhaps as something else transitions out).

I’m not about to go out and pick up the full sized Huda Beauty palettes, which don’t appeal to me at all, but I do think these are a smashing success. I wish that the beauty industry would start to adopt this trend away from conspicuousness and absurdity and garishness – I feel like these next few seasons will see a muting in the holographics and the unicorns and the things designed to be flashed. I can handle the signalling implied with a practical 3×3 palette in matte black; I know what it’s saying about me and my attitudes and my place. I’m not as comfortable with what is being signalled by brands with over the top packaging whose emphasis is on the fetishisaton of cuteness and whimsy and childishness or sexiness. I want to know where I stand.

After the Backlash: Yet another Anastasia Beverly Hills Subculture palette review

I attached a photo to the top of this review, but let’s be honest: by now, you know what the ABH Subculture palette looks like. I’ve never owned a palette like it. The colours are autumnal and eclectic and moody, and as soon as swatches were released I felt an uncontrollable pull to it. A pastel neon (?) peach and a mustard yellow with an army green? I know a lot of people have spoken of it as lacking in cohesiveness, but it’s one of the palettes I look at and feel inspired.

If you’re reading a review of the Subculture palette at this point after release, you’ve presumably encountered the cycle of hype and backlash. In 2016, everyone had fallen deeply in love with Anastasia’s Modern Renaissance palette, including my belated love affair earlier this year. It was near perfect as a warm toned palette, unafraid of red and pink shades, and excelled at both mattes and shimmers. A good palette to that captured the zeitgeist. They had a good line of solid hits. Brow products relied on by experts and amateurs, interesting highlights, successful limited edition eyeshadow palettes…people were primed to love their products. Then came Subculture, teased for months, leaked pre-release…and the backlash was deafening. And the backlash to that backlash was even worse. And where did we land on this palette? Well, I think it’s been decided that personal opinions are not unanimous. Let’s talk about mine.

No matter how much you love a brand or their products, they are not a person. We do not need to defend their actions; we do not need to rationalise for them. When a product is critically panned but you still enjoy it, it doesn’t mean their experience is less valid. So I ended up really loving this palette, and I have no issues with the shadows being overly powdery or kicking back an excessive amount of powder. I can still acknowledge the ways in which this palette is imperfect! Certain shades don’t show up true to pan (most notoriously Edge, which does not satisfy my yearning for a mustard colour) and others need specific kinds of brush (Cube needs to be applied with a finger, lest you lose the pink iridescence completely). My pan of Roxy has a little bit of kickback, and I can understand how certain batches might be prone to kicking up even more.

Subculture is absolutely not the easiest palette in the world to use. Modern Renaissance had its drawbacks with over-pigmentation and fallout, but the colours blended well and applied with ease. Subculture sits in a different realm. And yet, of all of my many, many palettes, it is one of the few that I pick up and look at and feel interested in. I can start with a colour and move to something else and never feel uninspired, because the mix balances quirk and utility. It is not a “for everyone” palette, but it is a great one for me.

In fact, even for the subtle everyday looks, I’ve found the colours in Subculture to work nicely with my new purple hair. I like working odd shades in subtle ways, and it’s satisfying to me that this is a palette suitable for that or for high level drama.

Here’s a close up of that specific look, an example of something I’ll throw together in a few minutes with Subculture. I think that’s important to contrast with the instagram theatrics this palette lends itself towards.

Want to try mustard with khaki and lavender? Go for it. Peach and berry and lime? Sounds like a smoothie, but delightful on the eyes.

Because of my surprisingly positive experience, it won’t surprise anyone how tempted I’ve found myself by the more recent Prism palette. There’s been a lot of controversy over the similarities between the two palettes and their shade ranges. Here’s just one of the many, many posts comparing the two, with the general consensus being that only one is really necessary to achieve the same kind of looks. Certain shades in Prism appeal to me more – the dark metallic green, the metallic lavender, that neon yellow green – but the overall aesthetic feels more alienating to me personally than the recognizably grunge vibe of Subculture. I do wish that the definitive shades performed better (specifically Edge and Cube), and I might cave and buy Prism at some point with a voucher, but I’m one of the few people without buyer’s remorse.

All that said, I’m always trying to be conscious of my blatant consumerism and need to acquire more more more. For me, being “better” would still be a troubling quantity of makeup for most people. This is me calling myself out – this time, my purchase of a known trouble inducing palette worked out for the better, but my purchase didn’t hinge on that factor and returns are not an option here. Think your things through.

Bite Sized Five – Thoughts on Things

I’ve been sick recently and it’s been hard to compile thoughts, but here are’s a quick grab bag of products that I’ve been wanting to share my thoughts on. Sometimes I start using a product a lot and I develop stronger thoughts on it and no one cares about them so I need a venue for that. This is the venue.

It Cosmetics Bye Bye Undereye Illumination – I should really update my Basics of Bases post, but a few products in that remain solid, including how I feel about the original Bye Bye Undereye concealer in that I love it when I need some hardcore coverage. I got a deluxe sample size of the newer version – the “illumination” version – and it’s…okay. It still gives me the same coverage, which is great. There’s no evidence of any darkness under my eyes when I put this on. However, the illumination factor is downright silvery in some lights, and it means that unlike the original you cannot use this or any excess on blemishes and if it isn’t blended studiously, you will be able to tell. I can only wear this concealer with a full coverage foundation, lest I end up a glittery mess – perhaps it would be a better option on someone with more darkness under their eyes that they’re trying to counteract, but I would worry about this highlighting it rather than erasing it. In short: not for me.

The Body Shop Matte Clay Foundation – From that same blog post, another product I still love and have completely surprised myself with is the Body Shop Fresh Nude foundation. It’s a relief, considering I really ought to wear it to work every day. For easy makeup that looks like skin, it’s the best. It’s still hard to fight my makeup loving instincts for full coverage makeup that looks like makeup, and while the new Matte Clay foundation is not at all an easy foundation, I am at the point in the learning curve where I’m totally into it.  This is not a foundation that forgives poor preparation or skincare – you need to prep and prime within an inch of your life. I love this with the primer I’m going to talk about in this post, actually. But I cannot skip moisturising or weekly physical exfoliation if I’m planning on wearing this, because it will find dry patches I did not know I had. It’s similar to the Tarte Amazonian Clay foundation in coverage and feeling, but it’s less thick and mask-like, but also less forgiving. It does share the property of being extremely long wearing and it keeps me matte to the high heavens, which I honestly was not expecting. It looks like makeup, but sometimes I want that – with heavier eye makeup and full contour/highlight, sometimes I feel like I need a more present base. The shade range on this one, though, is dismal. When I can wear shades three through seven, it’s a bad sign.

I’m ridiculously high maintenance, and I’ve found that my perfect work foundation is a combination of this one and the Fresh Nude. More forgiving than this alone, more matte and with more coverage than just Fresh Nude.

Zoeva Matte Full Spectrum Palette – I’m so boring and I just love matte eyeshadows. I’ve just been picking a few and then slapping on some g old glitter shadow or a beige satin and I’m good to go. This is a great palette for allowing me to do looks with greens or reds or blues depending on however I’m feeling, and it doesn’t waste my time with lazy metallics that I can just rip from other palettes. The Zoeva mattes are definitely stiffer than something like a Kat Von D or Anastasia matte, but they blend nicely and are good for building – you have to start small and work up, and I appreciate that. It stops the tendency to just rush overboard with orange and purple. It’s expensive – priced fairly, but it’s huge – and at more than $70, it’s only worth it if you know you’re going to use a spectrum of matte colours.

The Ordinary High Adherence Silicone Primer – I wrote recently about my enjoyment of The Ordinary’s other primer, the High Spreadability Fluid Primer, in a recent post. My enjoyment of that one lead me to pick up this option, which I was worried was going to be overly thick and tacky a la the Deciem Matte 12. Thankfully, this has the slight type of tackiness that is beneficial in a primer and helps to keep foundation adhering. Since it’s silicone based, it has the same smoothing action as the other primer. It feels lighter on the skin than the High Spreadability primer. That’s nice, sometimes. I wouldn’t wear this by itself, and it’s not the most effective pore filler around, but it’s become my go-to primer over the past few weeks. Frequency of use is okay, because I can actually afford to replace it (it’s around $10AUD from Myer), unlike the battle that is replacing NYX Angel Veil or the price of replacing Hourglass Mineral Veil.

Tarte Lights Camera Lashes – Tarte, as a brand, are not my cup of tea. I used to swear by their Amazonian Clay Foundation when I was young and struggling with texture, but then I realised that the heavier foundations weren’t always the best solution. Whoever posted a racist meme on their instagram today and then blamed an intern? Yikes. That all said, this mini mascara came in the Christmas lash stash (I redeemed for the Make Up Forever Excessive Lash), and it’s a pretty popular one on the scene so it deserves comment. It’s nice. If you want very long, fluttery lashes that don’t clump together, this is a good mascara for that. Not too wet or too dry. On initial application, it’s one of the most false lash adjacent mascaras I’ve ever tried. However! My god, this mascara does not stay on. I don’t generally struggle with mascara running as a rule, which is why I find this notable. I seldom opt for waterproof mascaras but this mascara, after four hours, had flaked all over my under eye area and at six hours was smudge city. So all in all, that outweighs the initial prettiness for me. I’ve been using it up through layering – it’s lovely on the top lashes only, working with a far more durable and volumising mascara. I’ve enjoyed using this alongside the Buxom mascara, which I’ll probably write about soon, as it’s become one of my absolute workhorse products.

I tend to avoid writing about lip products here, but a special shout out rant about the Nars Power Matte Liquid Lipstick packaging. Beautiful, beautiful products on the lips – I have Starwoman and it’s an absolutely gorgeous red – but be it a faulty item or a fault of a lack of proper stopper and a very thin product, this thing leaks everywhere. I have red liquid lipstick all over my handbag. Caution advised.

That’s all my cut down rants and rambles for the moment, but I’m sure more are soon to come.

Bite-Sized Five for February – Absences, Apologies and Photos of My Face

You know when your mental health takes a dive, you revert to less-than-healthy coping mechanisms and then you find yourself crying on a bathroom floor for three days straight and you realise you need to get your meds fixed up and stop doing what you’re doing? And then you leave the state for a while to go hang out at sea and write poetry? And then you’re back but you’re focusing on burying yourself in work and pouring energy into relationships that make you feel happy and supported? No? Not much else I can say then. Mental health is a constant stream of ups and downs and the downs have been pretty prominent recently. Rough.

Let’s not focus on that, and instead focus on some products I have thoughts about!

L’oreal Pure Clay Detox + Brighten Mask – This mask is…wicked intense. I finished my old detoxifying mask, for the rare occasion when I need something deep cleansing, so I picked this up in the Priceline 40% off skincare sale. It’s also good for if I want to use a combination of masks – this on the chin, with something softer everywhere else. It’s way too intense for me for weekly use. It dries incredibly quickly and goes very stiff, and if I leave it on for a full ten minutes I start to feel a burn. But: like the classic, intensely overhyped glamglow, it does the very satisfying action of showing up darker on the pores, and it leaves your skin looking fresh and cleansed and definitely smooth. I do feel like I have to use a lot of product to get a very thin layer, because it dries so quickly, so I imagine this will be finished quickly.

Anastasia Beverly Hills Modern Renaissance Eyeshadow Palette – I held off on buying this palette for so long. I was so good. But just look at it.

It is absolutely stunning. If you don’t do a lot of warm toned looks, then it is definitely not worth it, but those are my bread and butter. The shadows are incredibly soft, and do kick up quite a bit of powder – I can see how people are panning shades – but they blend beautifully and don’t feel powdery or chalky on my eyelids, even without a primer. The brush is great quality, and I can do a pretty solid quick look using just that brush if I’m on the go, which is a great post-work quality to have for me (likewise, the mirror is top notch). The only shadow I have not really played with is Golden Ochre, because that yellow tone of neutral tends to look a bit sickly on me if not paired with very specific shades, but I don’t mind that as a trade off. My favourites are definitely the red shades, which are so hard to do well – Love Letter, Venetian Red and Red Ochre – Venetian red has some pink tones and some shimmer while Love Letter is truer red, as to Red Ochre which is browned and deep and good for adding depth. I also love the oranges, Burnt Orange and Realgar, and the neutrals-with-a-twist like Buon Fresco. Vermeer is one of the most gorgeous inner corner highlight shades I’ve ever used. Everything is capable of being really powerful, or playing subtle and toned down.

Will it be as much of a workhorse as my Kat Von D Shade and Light Eye palette? Probably not. That palette renders the most out there of shades usable for me. Where this does win out is by being one of the most forgiving palettes I’ve ever worked with, and by being one that I can open up and get excited by. If only the packaging wasn’t damn suede textured. This is going to get so grotty, I can already tell.

I’m wearing some shadows from this palette today along with the mascara and concealer in this Bite Sized Five, so I’ll put a photo at the bottom with a note on which shades I used.

Benefit They’re Real Mascara – This mascara has lost some of its steam in the beauty community over the past couple of years, but it was once the mascara to end all mascaras if you asked around. I mentioned this in my USA Haul, and I have already finished the tube of Roller Lash which will be in my empties (January and February have see many long standing minis of mascara meet their ends – a little spoiler is that I actually really enjoyed Benefit’s Roller Lash and while it didn’t blow me away, it was one of the nicer mascaras I’ve used for definition and curl). Common complaints with this mascara are that the brush is HUGE and SPIKY and VERY DANGEROUS, which I can absolutely confirm; can make lashes look spidery and prone to clumping, also very true; is atrocious to take off. Case in point:

Post lashings of Bioderma and my usual makeup removing cleanser, usually a fine combo on mascara – thanks They’re Real, I guess.

Still, as you’ll see where I’ve used it below, when it’s used sparingly and with great caution to avoid eye-stabbing, it’s quite lovely. It’s way too much work for everyday, but I understand why it garnered so much affection. I have since tried it with the designated They’re Real Remover, but I think I’ll stick to oil.

Tarte Shape Tape Concealer in Light – Now admittedly, I picked this shade based on…almost entirely guesswork, and it is well and truly too light for me to use on blemishes while I’m at my darkest. I definitely recommend looking up swatches for this. Swatches are even more important if you do what I did and impulse buy this off the tarte website when they have a free international shipping promotion. It is still perfect for under my eyes, and workable for blemishes blended under a concealer. And let me say – this concealer is getting some ridiculous levels of hype. People are putting it at holy grail status. I’m not so quick to make final judgements, but I will say that it is extremely concentrated and creamy with coverage out of its ears. Really, other than the colour range, my main faults with this are the applicator and the scent. The applicator is overly huge and I always just end up dabbing it on with my fingers, and the scent is intense. It’s fake and floral and it lingers for a good few seconds after application.  But this, unlike the mascara, is something I’m willing to work with daily. It’s easy to blend and although creasing isn’t a major problem for me, I don’t have any problems with it. I’m almost tempted to get it in another colour next time tarte have free shipping.

Sunday Riley Luna Night Oil – Another much raved about item, I got this half-sized bottle in a set with the Good Genes treatment. I loved Good Genes, and it will be in my Jan/Feb empties. Luna? Not so much my thing. Admittedly, it’s not targeted at people with my skin type. I am very much combination, and while I get dry in the winter, in summer I can be a sweaty, oily mess. I’m prone to breakouts regardless of oiliness to dryness, and I’m not really that worried about aging yet (at the ripe old age of 21). I do really enjoy oils, though, and this is well reviewed, so I’m glad I got to give this a go. That said, it hasn’t wowed me too much. I’ll keep using it, and I’ll probably prefer it in winter when I go back to dry, itchy Sara skin. It doesn’t break me out, but it is pretty heavily scented and full of extracts that I’m not fussed on. If I had to choose, though, I would have just invested in Good Genes and skipped this guy. In Australia, I can’t bring myself to drop the money on either of them.That’s the honest opinion. In the US, it felt manageable – waiting for a Sephora sale, using a voucher, being a smart shopper. Here, Good Genes is about $150. I don’t think it’s $150 worth of results.

As for the makeup I did with some subtle Modern Renaissance, a frustrating coating of They’re Real and Tarte Shape Tape:

I’m also wearing Sugarpill’s Trinket on my lips – I’m planning on writing about it at length in my next Recent Lipstick Wrap Up – over Urban Decay Deep lipliner, which gives the liquid lipstick a much more nude look. I love how the gold comes out over the course of wear. I’ve also got the It Cosmetics Brow pencil on, and the Physician’s Formula Butter Bronzer for some warmth. I only used neutral shades from the ABH palette to stay basic for my day off, laid down some Warm Taupe with Cyprus Umber for depth and then Primavera for lightness on the bulk of the lid. I need a better camera. My skin is great at the moment (hallelujah), so I didn’t have a lot to conceal, but the few things that were bothering me are pretty well covered.

And that’s that!

Bite-Sized Five: Products I’ve Been Thinking About in October

October has been a truly brutal month. I’m only writing right now because honestly, I need a bit of a distraction, and grief is blocking almost all of the inspiration I need to get any of my work done for university. This post might be impersonal, and it might really exceed in the bite-sized stakes, but it’s something.

It Cosmetics Your Skin But Better CC Cream in Light – This is the baby size, and I caved to rave reviews in my quest to find something nice for everyday when I go to Hawaii and for during the awful Australian summer. While I really enjoy the light feeling melding with decent coverage – this isn’t a foundation, but it definitely does a more effective job at covering blemishes than the majority of BB or CC or XX whatever creams – but it is definitely thicker feeling than other lightweight bases I have used, and I do feel like a primer is necessary with this one. When I have used it sans primer, I’ve found it tends to get a little clingy onto dry patches. The colour range is not spectacular and it has quite a strong smell, and I’ve heard a lot of reports of it being not so great in terms of triggering breakouts (I personally can’t comment on this either way). The wear time is alright, and I probably will reach for it more come summer, but I do wish it were a little more fuss-free. I guess that’s the trade-off that comes with wanting some coverage when you’ve got spots and scars and the like.

Physician’s Formula Eye Booster 2-in-1 Lash Boosting Eyeliner + Serum in Ultra Black – My local Priceline didn’t have a Physician’s Formula stand and I’ve also only really heard good things about like two of their products, so I never really paid much attention to the brand. When a new Priceline opened up with a stand, I thought I’d finally give a go to the one product I hear raved about consistently from the brand, especially compared to one of my absolute favourite products – the Kat Von D tattoo liner. It does have a brush tip, which I like on the KVD for the precision it provides, and it is definitely very black. That said, I find it much thicker and harder to control, and I can’t get precision at all. I like using it to get the actual line along my eye, nice and opaque and intense, but if I’m doing a wing, nope. A lot of people call these dupes, and while this will get used, I would definitely not consider them equal.

Teeez Dessert Metals Mascara in Tigers Eye – I got this in my July Lust Have It bag,  and in the off chance that you come across it, my verdict is that it’s fine. Brown mascara doesn’t really suit me, despite the gorgeous packaging. The biggest claim of this mascara is that it is longwear but easy to wash off, which is a claim I’d have to dispute – I find this to be a bit of a pain in the ass to remove, if I’m honest. The wear is decent, but not spectacular. It’s fine.

The Body Shop Down to Earth Eye Palette Smoky Gold Quad – The first of two palettes I wanted to talk about quickly, and my requisite single body shop product per bite-sized five. These new eye palettes launched, and I really do have to commend The Body Shop for upping their game on the eyeshadow front. Each palette – I’ve played with them all – differs in quality, but they are a huge step up from the previous Body Shop palettes in terms of blendability and ease of use. I appreciate the focus on ease of use and simplicity rather than pigmentation, because it’s very in-line with the demographic (not me). I do really love this one. It’s so smooth, and the pigmentation is great in each shade. The individual shades pop out, but aren’t available separately yet. There’s a nice highlight shade (or base, on my skintone), a good deep matte brown, a beautiful satin shimmer gold and a pretty shimmery taupe. I also have the Smoky Brown palette, which has two peach shades, and I can say that the glitter shades are definitely the weakest ones. I’m not so much of a fan of the pigmentation on the plum quad, which also doesn’t go on very plum and has a boatload of fallout, and the black quad isn’t my thing. The palette of eight is a nice mix of the golds and the plums, but I stayed away because I wouldn’t use the black or the plums. I love the nice big mirror and the new packaging and basically holy shit, these are so much better than the shimmer cubes. They aren’t cheap, especially for four shadows – when you compare it to the Zoeva palette, it’s excessive – but you do get deep pans and they are, when you pick the right palette, good quality. I’d say tread carefully, choose wisely (strong recommendations for this one and the brown one, and the grey one is nice on fair skin), but a step in the right direction.

Zoeva Naturally Yours Palette – I recently sold my Rodeo Belle palette, which was full of colours that didn’t inspire me, and was thinking about replacing it with another one because the Zoeva palettes are lovely quality, affordable, and good for playing around with. I went with the full intention of getting a more well known option, like the Rose Gold or the En Taupe or something, but for some reason the Naturally Yours palette was just the one that was calling to me. I know who I am. I know I like bold lips and bland eyes with the occasional pop. Zoeva shadows blend beautifully and their palettes work cohesively and this is just a really easy palette to create the basis for anything. It’s got your creams and your browns of different hues and some great easy shimmers. It’s not a good base-for-any-eye kit in the same way that the Kat Von D Shade and Light eye palette is, but it’s great if you know you want neutral but aren’t feeling inspired. So basically, it’s great for me.

I haven’t got a lot else in me, right now. I’m consumed by a lot of weird emotions and everything feels heavy and slow.